albumreview

Album Review: Charli XCX’s ‘Sucker’

 

 

It’s here, suckers!

 

Charli XCX released her killer sophomore effort, Sucker, today and I think at this point it’s safe to say that this…


Album Review: PVRIS’ ‘White Noise’

 

 

It just so happens that I picked the coldest night of the season to listen to PVRIS’ stunning debut, White Noise. It’s pretty fitting atmosphere, considering this is 2014’s most chilling…


Haerts Delight with Their Self-Titled Debut

I have never been more proud to live in Brooklyn than I do right now. We have some of the best breakout bands making their…



Album Review: Taylor Swift’s ‘1989’

 

 

Every two years, Taylor Swift graces us with a brand new album, and her newly released pop masterpiece, 1989, is a tour de…


Album Review: LIGHTS’ ‘Little Machines’

 

 

Our favorite gnarly synth-tickler, LIGHTS, released her third studio album, Little Machines, today to an overwhelming response from eager fans and admirers alike…


Album Review: SOS Capture Youth in Decline on Self-Titled Debut

Portland, OR duo, SOS (Shadows on Stars), comprised of Randa Leigh and Brian Vincent, are embarking on the creative journey of a lifetime…



Reviewed: Banks ‘Goddess’

Pop/R&B songstress, Banks, has that chills-down-your-spine-factor, and she definitely brings it on hardcore on her highly-anticipated debut, Goddess.

With bewitching bass lines and sweet…


Reviewed: In The Valley Below’s ‘The Belt’

Artist of the Month, In The Valley Below, have finally unleashed their hypnotizing debut, The Belt, on America. After releasing several…


Pretty In Synth: Magic Man’s ‘Before The Waves’ Is a New Wave of 80’s Nostalgia

Buzznet’s Artist Of The Month for July, Magic Man, released their debut album, Before The Waves, today and BTW, it’s even better than…



5 Reasons To Love Lana Del Rey’s ‘Ultraviolence’


Lana Del Rey delivered her new studio album, Ultraviolence, this week to mixed reviews, which was pretty much expected. Say what you…


REVIEW: Echosmith’s ‘Acoustic Dreams’ EP


Ahhh, the acoustic album: where your favorite songs are stripped down and made to sound how they originally were created. Not only are acoustic…


REVIEW: Strange Talk Unleash Explosive Debut, ‘Cast Away’

Australian synthpop band, Strange Talk, have been high on my radar since the summer of 2011. After only releasing their debut album, Cast…



Album Review: Neon Trees ‘Pop Psychology’


Neon Trees released their third album, Pop Psychology, today and I just want to hold it in my arms forever. I purposely…


The Colourist Shine Bright In Self-Titled Debut

It’s always a glorious feeling whenever a band you’ve been obsessing over for quite a while finally releases that anticipated debut album. The…


Album Review: The New Division’s ‘Together We Shine’

The New Division are back with their brand new sophomore effort, Together We Shine, out today on Division 87 Records. A progressive jump…



Echosmith’s ‘Talking Dreams’ Is A Lyrical Tour de Force

The first time I heard Echosmith’s “Come Together” this past summer, I was intrigued. Not only is their music video a homage to…


5 Reasons To Love Paramore’s New Album

A few weeks ago I shared why I was anxious to have Paramore’s new self-titled album in my hands – and it turns out I was anxious for all the right…


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